Milena canonero biography of donald

Milena Canonero grew up in Genoa. She studied design and costume in Genoa before moving to England to finish her studies. Milena's film career started with Stanley Kubrick, designing the costumes for three of his films: Clockwork Orange (), Barry Lyndon (), winning her first of her four academy awards, and The Shining (). Milena has worked with Alan Parker, Midnight Express (), Hugh Hudson, Chariots of Fire () her second Oscar. Francis F. Coppola, Cotton Club (), Godfather III (), Sydney Pollock, Out of Africa (), Louis Malle, Damage (), Warren Beatty, Dick Tracy () and Bulworth () Julie Taymor, Titus () Roman Polanski, Carnage (), and the legendary director, Manoel De Oliveira, Belle Toujours (), Sofia Coppola, Marie Antoinette () brought her third Oscar. She has also production designed Barbet Schroeder's Single White Female () and Leonardo Guerra Seragnoli's Last Summer and designed costumes for opera productions at La Scala, The Vienna opera House, The Metropolitan Opera and the Garnier Opera de Paris. She was also a producer on Romeo and Juliet (). Canonero has collaborated with Wes Anderson on The Life Aquatic with Steve Zissou (), The Darjeeling Limited

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BIOGRAFIA DI MILENA CANONERO

Nata a Torino il primo gennaio , studia arte e storia del costume a Genova, prima di trasferirsi a Londraa metà anni Sessanta. Lì inizia a lavorare in varie produzioni teatrali.

Conosce Stanley Kubrick durante una visita sul set di Odissea nello spazio e il regista le affida i costumi del suo film successivo, Arancia Meccanica, che è anche il suo primo lavoro per il cinema. Kubrick la richiama poi per Barry Lyndon () – per cui vince il primo Oscar – e per Shining (). Il regista la vorrebbe anche per Eyes Wide Shut, ma Canonero è impegnata con altri film ed è costretta a rinunciare.

Nel arriva la seconda statuetta per Momenti di gloria di Hugh Hudson e la terza nel per Marie-Antoinette. Viene candidata anche per La mia Africa, Tucker, Dick Tracy, Titus e L'intrigo della collana.

Nel espande la sua esperienza in televisione collaborando con Michael Mann nella serie Miami Vice.

Jake Donald-Crookes is an actor and musician (playing the drums to a grade 7 standard) and modelling since for numerous advertising campaigns.

Jake's first introduction to the silver screen was in Kenneth Branagh's Disney film Artemis Fowl, where he performed the role of Artemis Fowl acting double. This is where Jakes interest and love for acting came to light and he hasn't looked back since.

In Jakes first role (released ) he took the lead as protagonist (teenage role) Mario Capecchi, in Hill of Vision, produced by Elda Ferri, directed by Roberto Faenza, costumes by Milena Canonero.

Co-starring along side Elisa Lasowski, Laura Haddock and Ed Holcoft, we see the remarkable true story unfold about an Italian-born molecular geneticist and a co-winner of the Nobel Prize in Medicine, Mario Capecchi. Mario lived on the streets during WWII from the age of 4 1/2 after his mother was arrested by fascists and then later imprisoned in a German concentration camp. After Mario's mother is released, she miraculously finds him (in ) and they travel to America to live with her brother and start a new life. This is where Jake takes the lead and tells Mario Capecchi'

Milena Canonero

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Biografia di Milena Canonero

Milena Canonero nasce a Torino e studia arte e storia della moda a Genova e poi costume e storia dell'arte a Parigi e a Londra. È proprio nella capitale inglese che poi si trasferisce, lasciando l'Italia. Qui comincia a lavorare per piccoli teatri e per alcune produzioni cinematografiche.
La sua carriera comincia con un'incredibile collaborazione, che la vede a fianco di Stanley Kubrick, per il film Arancia meccanica (A Clockwork Orange - ). Il grande regista inglese le conferma, poi, la fiducia per altri due capolavori quali Barry Lyndon (), che le vale il suo primo Oscar insieme a Ulla-Britt Søderlund, e Shining ().

Nel collabora con Hugh Hudson per Momenti di gloria, che le porta subito la seconda statuetta dorata. Altre nomination le riceve grazie a La mia Africa () di Sydney Pollack, Il padrino: Parte terza e Cotton Club ( - BAFTA Award per i migliori costumi) entrambi di Francis Ford Coppola.

La sua carriera procede parallelamente anche nel teatro lirico, lavorando soprattutto con Otto Schenk, insieme al quale realizza, nel , Il Trittico di Giacomo Puccini, al Vienna State Opera, nel , Die Fledermaus


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