Rufino tamayo parents night out

As Curator at the Roswell Museum, I'm really grateful for the generosity of our donors. The majority of our collection consists of donations, and its scope and quality testifies to the importance of the arts to this area. Just last month, we received several prints from a retired physician, including two works by Rufino Tamayo (). To celebrate these new acquisitions, let's take a closer look at this important artist.

Rufino Tamayo, image courtesy of
Tamayo was born in Oaxaca, Mexico, in , but moved to Mexico City to live with his aunt after the death of his parents. In , his aunt enrolled him at the Escuela Nacional de Artes Plastica at San Carlos, but after a year or so at the school, he left his formal studies, and primarily became self-taught. He became the chief designer of the department of ethnographic drawings in the National Museum of Archeologyin Mexico City in , an experience that would shape his artistic career significantly. Working regularly with pre-Columbian objects, the motifs and symbols Tamayo encountered would become a recurrent theme throughout his work.  From to he was based New York, where he interacted with some of the leading artists of

Rufino Tamayo

About

Rufino Tamayo () was one of the first Latin American painters to receive international recognition. He was influenced by modern art, by pre-Colombian imagery, and by his Zapotec heritage to create a highly individualistic body of work that includes prints, paintings, and sculptures. Unlike many of his contemporaries, such as Diego Rivera—who created murals with themes of social reform—Tamayo viewed subject matter as subordinate to color and form. Early in his career, he lived in New York City where he was influenced by the work of modern artists like Pablo Picasso and Stuart Davis. Tamayo’s work is  distinguished by its mythical quality, astute use of color, abstracted figures, Surrealist imagery, and bold compositions.

Tamayo completed his prints utilizing numerous techniques, including lithography, etching, aquatint, and the Mixografia process—which he helped develop. Mixografia involves pressing a sheet of damp paper pulp onto an inked metal plate which has  raised areas of design. As the inked plate and the pulp are compressed together, the water is squeezed out and the pulp is  molded to the s

Mexican master Rufino Tamayo is regarded as one of the most important painters of twentieth century Latin America. Tamayo was also an extraordinary graphic artist.

 

Between and his death in , Tamayo produced over graphic works. Tamayo’s greatest period of graphic production, many would argue his most important, began in the mid ’s. During this period, Tamayo discovered new techniques with which to convey the expressive power of texture and color. Over the next two decades, Tamayo produced many of his finest graphic works. These works form the body of the current exhibition.

 

The exhibition showcases over twenty examples of Tamayo’s original graphic work, including rare lithographs, mixed-media etchings, and hand-colored Mixographs. Among the highlights are the rarely seen Galaxia, , a lyrical exploration of the night sky. Another rarely seen graphic, Man with a Pipe, , Tamayo creates a brilliant profile of a man in red, set against a background that evokes burned charcoal.  In addition to an array of inventive figurative works, the exhibition includes several examples of Tamayo’s iconic watermelons and a monumental hand-colored still

Rufino Tamayo, Tres Personajes,

51 x 38 in.


Rufino Tamayo () was a Mexican painter.  Born in Oaxaca, he was of Zapotec descent, which is often cited as an important influence on his work.  After his parents died, Tamayo moved to Mexico City to live with his aunt and help with the family business.  However, recognizing his talent, his aunt enrolled him in the Escuela Nacional de Artes Plasticas in While in school, he experimented with the leading genres of the time, including Cubism, Impressionism, and Fauvism, always adding a distinctly Mexican character to these styles.  Over time, Tamayo found his own style, mixing traditional art with modernism, and influenced by abstractionand Surrealism.  In , he left Mexico and moved to New York, although he spent significant amounts of time in both New York and Mexico CIty for the rest of his life.  Tres Personajes (Three People) is a stunning example of Tamayo's skill and style.  It is abstract, almost entirely, and employs bright colors and mysterious shapes.  The painting also features Tamayo's signature rough painting surface, achieved by mixing sand and gr

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