Prayer Groups
Charis- National Service of Communion The National Service Of Communion is a collaboration body consisting of various charismatic leaders from different prayer groups of charismatic expressions and languages that are in Qatar. The NSC overlooks the formation, Training and growth of the renewal by promoting active faith and community life in all its operations. The main goal is to continue to work in unity with one another to foster the grace of baptism of the Holy Spirit in the whole church, as Pope Francis has commissioned us to do. The unity of the charismatic renewal, Using the charisms of the Holy Spirit, Acts of charity and ecumenical sharing are also strong pillars. About The Organization. National service of communion - Collaboration of various prayer groups and communities of the Charismatic Expression., Main Activities; Retreats,Conferences,Training Programs, Leadership Formation, Charismatic Development, Youth Formation And Supporting Parish Level Activities
COORDINATOR Dexter Carreon Mob.# ASSISTANT COORDINATOR Joseph Manjo Mob.# SECRETARY Bernie Beredico Mob.# TREASURER Roshan Banz Mob.#
SCHEDULE: Quarterly Praisetfest & Prayer Assembly Prophet
Early Life, Education, & Work
Miguel “Mike” Guison Velarde Jr, composer, conductor, movie actor, and musical director was born in Manila on October 23, as the second of two children of Dr. Miguel Velarde, Sr. and Dolores Guison. His family moved to Zamboanga when he was only one year old and where he spent the succeeding eighteen years of his life. His exposure to the unaffected and unpretentious environment of Basilan and Zamboanga had influenced his creative imagination, mainly nurtured by his mother who became his first music teacher in piano and violin when he was six years old.
Velarde studied at the Zamboanga Normal School, where he became a member of the school orchestra and graduated as valedictorian. He then went to Manila to pursue medicine at the University of the Philippines, but later realized that it was music that he truly loved. He learned the basics of harmony and composition from Antonio Molina and Ariston Avelino as he further deepened his musical knowledge through self-study.
Later, when his father however objected to his plans to pursue a music career, he went on to support himself as a bus conductor to realize his dream. He later
MIGUEL “MIKE” GUISON VELARDE JR.
- composer, conductor, movie actor, and musical director
- born in Manila on October 23, as the second of two children of Dr. Miguel Velarde, Sr. and Dolores Guison
- his family moved to Zamboanga when he was only one year old and where he spent the succeeding eighteen years of his life
- His exposure to the unaffected and unpretentious environment of Basilan and Zamboanga had influenced his creative imagination, mainly nurtured by his mother who became his first music teacher in piano and violin when he was six years old
- studied at the Zamboanga Normal School, where he became a member of the school orchestra and graduated as valedictorian
- He learned the basics of harmony and composition from Antonio Molina and Ariston Avelino as he further deepened his musical knowledge through self-study
- opened a jazz school and became song editor for the Philippines Free Press
- went into writing Tagalog songs, composing the song Ugoy-Ugoy Blues which opened opportunities for him in the movie
- He had a jazz band known as “Mike Velarde’s Jazztocrats”
- became editor of the Literary Song Movie Magazine
El Shaddai and the charismatic transformation of Philippine Catholicism
Every Saturday evening in Manila, Philippines, on a huge plot of land near the airport, “Brother Mike” Velarde, a married, lay, Filipino real estate baron and “servant leader,” draws vast crowds of believers for a weekly El Shaddai prayer service. Founded by Velarde in , El Shaddai, which claims 9 million members in the Philippines — more than 10% of the country’s Catholic population — and 2 million more among the expatriate Filipino community, is undoubtedly the largest lay Catholic organization in the world.1 In its worship, theology, and aesthetic, El Shaddai often seems more like the Filipino version of an American Evangelical Protestant mega church than a traditional Catholic lay organization, and Velarde often looks and talks more like a Pentecostalist preacher and businessman than a Catholic lay leader. Nonetheless, the movement is linked to — and approved by — the Catholic Church, though not all of its worshippers are Catholic.
These services, well organized rallies that last four hours, are held on a high, brightly lit stage.2 As at most El Shaddai events, the great majority of members are wo
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