Kim Jee-woon is probably the most successful filmmaker working in South Korea at the moment, with his films presenting a combination of artistry and entertainment rarely seen on screen.
Kim was born in in Seoul and initially he worked in the theater, first as an actor and then as a director, before making the transition to cinema in with &#;The Quiet Family&#;. Starting with his third movie &#;A Tale of Two Sisters&#;, he began receiving recognition for his scripts, direction, and unique visual style. His next productions were all successful both commercially and critically, to the point where he was transferred to Hollywood, where he shot &#;The Last Stand&#; with Arnold Schwarzenegger.
Three years later, he returned to South Korea with &#;The Age of Shadows&#;, which was selected as the country&#;s entry for the Best Foreign Language Film at the 89th Academy Awards. Here are his eight films, ranked from worst to best.
8. The Last Stand ()
Everyone deserves a blunder in their career, and Kim&#;s came when he was asked to direct an action comedy starring Arnold Schwarzenegger.
Ray Owens is the sheriff of a small border town in Arizona named Sommerton Junction,
Kim Jee-woon Biography
MARITAL STATUS
Professions Director , Screenwriter , Adapter more
Nicknames Kim Je-Woon, Kim Ji-Woon
Nationality South Korean
Birth May 27, (Seoul &#; South Korea)
BIOGRAPHY
Born in the South Korean capital, Kim Jee-Woon was first attracted to theater. This is why he began his career by going on stage and involved himself in the staging of several theatrical plays including Hot Sea and Movie Movie , in which he also played a role. He then tried his hand at writing and won a competition with a screenplay entitled Wonderful Seasons .
Building on this success, Kim Jee-Woon was able to begin directing his first feature film in , a horror comedy called The Quiet Family . He made another comedy two years later, Foul King , and directed one of the short films which constitute the triptych 3 stories from beyond , a horror film in which ghosts and ghosts appear. His next film, 2 Sisters , shot in , is in the same register, that of new Asian fantasy cinema.
Two years later, the filmmaker shot A bittersweet life , a dark and ultra-violent thriller. He proves that he is very comfortable when it comes to staging shootouts and other settling of scores. In ,
Kim Jee-woon is a filmmaker who not only adores the cinema, but tries to push his style a bit farther than his contemporaries. While other filmmakers that are uniquely South Korean — a strict theme, sensibility, or historical importance — Kim makes films that are unique love letters to the genre films, commenting and elevating the material beyond parody or imitation.
That doesn’t mean his films are empty experiences — there’s a lot to digest whether it’s a gangster, horror, sports, western, or the action film (well, maybe not so much on the last one).
As a child, Kim’s father was a huge film buff, taking Kim to the theaters countless times. As a film student, Kim studied stage acting and theater direction at the Seoul Institute for the Arts in the mids, an absolute must in his mind if was going to be a filmmaker. Before making his debut film in with “The Quiet Family,” he wrote and then entered the script into the country’s Cine21 Screenplay Competition a year before to gain a little traction.
Aside from “The Quiet Family” and “The Foul King,” Kim has also made short films in between a few of his features. For him, it’s a directorial exercise in style and form to see wha
A Tale of Two Sisters: South Korea’s touchstone psychological horror film
For two consecutive years, the Oscars have awarded major prizes to South Korean filmmaking talents – Youn Yuh-Jung’s Best Supporting Actress win for Minari this year was something of a sequel to Bong Joon-ho’s awards sweep for Parasite in The seeds for the country’s ongoing filmmaking successes, of course, were planted long before.
In August , Arrow Films re-releases one of the most significant films in contemporary South Korean cinema on Blu-ray – a vivid and subversive thriller from director Kim Jee-woon that made history as the country’s first picture screened in a US theatre. But ’s A Tale of Two Sisters isn’t merely a footnote in the history books. It remains one of the country’s greatest psychological horror films of all time; a key text contributing to the wider visibility of South Korean cinema, released in the year that changed everything for the trajectory of the industry.
A TALE OF TWO SISTERS
A Tale of Two Sisters is the story of Su-mi and Su-yeon, two young siblings who return to their countryside home having spent time in a mental institution being treated for psychosis.
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