Étienne-Louis Boullée (February 12, – February 4, ) was a visionary Frenchneoclassicalarchitect whose work greatly influenced contemporary architects and is still influential today. Originally interested in painting, Boullée acquiesced to his father’s desires and took up architecture. He studied the mainstream French Classical architecture in the seventeenth and eighteenth century and the Neoclassicism that evolved after the mid-century. By the age of nineteen he had opened his own studio. Although few of his architectural designs were built, his theories and drawings enjoyed a large public following. He worked mostly as a theorist and a professor, teaching other important architects such as Jean Chalgrin, Alexandre Brongniart, and Jean-Nicolas-Louis Durand. His book Architecture, essai sur l'art ("Essay on the Art of Architecture”), arguing for an emotionally committed Neoclassicism, was only published in
Boullée promoted the idea of making architecture expressive of its purpose, and frequently employed symbolism appropriate to the use of the building. He emphasized the properties of geometric forms and
Étienne-Louis Boullée
Étienne-Louis Boullée (Paris, February 12, - ibid., February 4, ) was a visionary French neoclassical architect whose work greatly influenced contemporary architects and still today nowadays it is considered important.
Biography
Born in Paris, France, the son of an architect, he studied painting but later switched to architecture at his father's request. He studied with Jacques-François Blondel, Germain Boffrand and Jean-Laurent Le Geay, from whom he learned the French classical style of architecture prevalent in the 17th and 18th centuries and the Neoclassicism towards which it evolved in the mid-century.
In he joined the Royal Academy of Architecture in Paris and became chief architect to Frederick II the Great of Prussia, a largely honorary title. He designed a series of private houses from to , although most of them no longer exist; surviving examples include the Hôtel Alexandre and Hôtel de Brunoy, both in Paris. Together with Claude Nicolas Ledoux he was one of the most influential figures in French neoclassical architecture.
Work
Between and he carried out various interior repairs for noble houses, including one for what is now known as th
Etienne Louis Boullée ()
No amount of careful philology will ever fully explain Boulleé’s extraordinary dream or evocative influence
Boullelarge
Throughout the 20th century, numerous architects whose careers were cut short by the French Revolution have been re-entered one by one into history, their works studied and their reputations restored. But few have had the fortune of Etienne-Louis Boullée, a reluctant architect, with almost no surviving built works and with only drawings to support his claim to fame. Without the notoriety of his younger colleague Claude-Nicolas Ledoux, whose ostentatious tollgates surrounding the Parisian tax-wall were the object of Revolutionary fury, his death in passed almost unnoticed. And while Ledoux had managed to publish the first volume of his L’Architecture before he died, Boullée’s essay on architecture remained unpublished, and his drawings largely unremarked on by scholars for nearly a century-and-a-half. And yet, since the s his reputation as one of the major and most original figures of the late 18th century has been firmly established as the elder statesman of the radical Enlightenment in architecture, if not o
Biography
French visionary architect, theorist, and teacher. Boullée wanted originally to be a painter, but, following the wishes of his father, he turned to architecture. He studied with Jacques-François Blondel () and Germain Boffrand () and with Jean-Laurent Legeay (c. ) and had opened his own studio by the age of He designed several Parisian city mansions in the s and '70s, notably the Hôtel de Brunoy (). Despite the innovative Neoclassicism of his executed works, Boullée achieved a truly lasting influence as a teacher and theorist. Through his atelier passed such masters as Alexandre-Théodore Brongniart (), Jean-François-Thèrese Chalgrin, Jean-Nicolas-Louis Durand (), and Louis-Michel Thibault (). In all, he taught for more than 50 years.
In his important theoretical designs for public monuments, Boullée sought to inspire lofty sentiments in the viewer by architectural forms suggesting the sublimity, immensity, and awesomeness of the natural world, as well as the divine intelligence underlying its creation. At the same time, he was strongly influenced by the indiscriminate enthusiasm for antiquity, and especially Egyptian monuments, felt by his contemporaries.
The
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