Athol Fugard
You were a boy when the system of apartheid was instituted in South Africa. What was that like?
Athol Fugard: It happened shortly, very early in my young years, that the policies of apartheid were implemented, were defined, put onto the law books, and those 40 years of darkness &#; because that&#;s the only way to describe them &#; as one law after another went onto the statute books about Parliament defining the privileges that went to the white people, and what was left over went to the people of color in my country. Even though the white population at that point was only a few million and that the people of color in my country &#; black and, as we name them, colored &#; numbered over almost 25 million people. So it was a grossly, grossly unfair period. And it was very dark. Those were cruel draconian laws that really stifled free speech, free assembly, defined who your friends could be, defined who you could marry, who you could have as a partner. It was unbelievable. I mean it was rightly likened in some respects to the worst aspects of Hitler&#;s period in Germany. It was an institutionalized form of race prejudice. That&#;s what it amounted to.
How did t
Athol Fugard was born in in Middelburg, in the Karoo desert region of South Africa. He has written more than thirty plays, four books and several screenplays. His plays include Blood Knot (), Boesman and Lena (), “Master Harold” . . . and the boys (), The Road to Mecca () and My Children! My Africa! (). Many of his works were turned into films: Tsotsi, based on his novel, won the Academy Award for best foreign language film. His work spans the period of apartheid in South Africa (imposed in ), through the first democratic elections (April 27, ), when Nelson Mandela became president, and into present-day post-apartheid South Africa. One of the most performed playwrights in the world, and South Africa’s best-known playwright, at eighty-one, Fugard continues to direct and write plays. Although he still travels regularly, as of , he regards his house in the Karoo village of Nieu Bethesda, South Africa, as his permanent home. A playwright whose work is appreciated on a global scale, Athol Fugard's plays have done more to document and provide a cultural commentary on Apartheid-era South Africa than any other writer in the last century. Preview this book » CAPE TOWN, South Africa (AP) — Athol Fugard, South Africa&#;s foremost dramatist who explored the pervasiveness of apartheid in such… CAPE TOWN, South Africa (AP) — Athol Fugard, South Africa&#;s foremost dramatist who explored the pervasiveness of apartheid in such searing works as &#;The Blood Knot&#; and &#;’Master Harold’&#; and the Boys&#; to show how the racist system distorted the humanity of his country with what he called “a daily tally of injustice,” has died. He was The South African government confirmed Fugard&#;s death and said South Africa “has lost one of its greatest literary and theatrical icons, whose work shaped the cultural and social landscape of our nation.” Six of Fugard&#;s plays landed on Broadway, including “The Blood Knot” and two productions of “’Master Harold’&#; and the Boys.&#; “The Blood Knot” tells of how the relationship between two Black half-brothers deteriorates because one has lighter skin and can pass for white, which ultimately leads to him treating his darker half-brother as an inferior. “We were cursed with apartheid but blessed with great artists who shone a light on its impact and helped to guide us out of it. We owe a hu
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Athol Fugard: His Plays, People and Politics
Using mostly migrant workers and township dwellers, and staging guerrilla-raid productions in black areas, Fugard frequently came into conflict with the government, forcing him to take his work overseas. Consequently, powerful plays such as The Blood Knot, Sizwe Banzi is Dead, and Master Harold and the boys came to broadcast the inequities of the Apartheid-era to the world. Fugard's work retains an insistent influence, and is studied and performed the world over.
Alan Shelley's study is an accessible but profound analysis of the man, his work and its influence, the social injustices that drive him, and the lives of those who people his remarkable plays.
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