In Flight
Reviewed 12/21/74
Apparently departed from Ten Years After, the group's lead singer / guitarist Lee comes up with a live set featuring some of the good old rock and roll he's always loved so much, with a fine sprinkling of soul and some originals thrown in.
Lee seems far more at home with this material than he did during his last few efforts with the group going easier on the "mile a minute" guitar solos he became known for (there are still some here) and concentrating more on his singing, which is excellent. Something here for all the Ten Years After fans and some new things for those that never got involved with the band.
Sax and flute in the band are put to good use, as are the backup vocalists. Lots of AM potential here, and Lee's strong FM following should also be happy.
Pump Iron
Reviewed 5/6/78
A bit less frenetic than the Lee efforts with Ten Years After and a bit mellower than his live solo set of several months ago. Less emphasis on the mile a minute guitar style he trademarked near the end of the '60s and more emphasis on tasteful, apparen
Alvin Lee Hommage an meinen Gitarrenhelden!
Apr. 6, In eigener Sache
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In meinen jungen Jahren in den 70er, zierte ein grosses Poster von Alvin Lee mein Zimmer Alvin Lee und seine rote Woodstock-Gitarre! Er war definitiv mein Gitarrenheld. Mein damals liebster Tonträger, der immer wieder auf dem guten alten Platenspieler seine Runde drehte, hatte den Namen Ten Years After/Recorded Live/ und war gefühlt für eine lange Zeit ein sehr wichtiger Bestandteil für meine jugendlichen Gefühlsrotationen! Diese Aufnahme war so intensiv, präzise und gut wiedergegeben, dass ich bis heute immer noch grossse Achtung vor diesem Live Tonträger habe. Bis heute im Jahr ist es für mich immer noch eines der 3 besten Live Alben aller Zeiten! Die Musik von Alvin Lee und
When Alvin Lee released “The Bluest Blues” in as part of his album Nineteen Ninety-Four (later reissued as I Hear You Rockin’) on Viceroy Records, it didn’t storm the mainstream charts—no Billboard Hot glory here—but it resonated deeply within the blues world, earning a cult following and critical nods that outshone its modest commercial splash. For those of us who’d followed Lee from his Ten Years After days, this track, nestled in an album that barely grazed the radar, was a revelation—a slow, simmering masterpiece that hit number 1 in our hearts if not on any list. Now, as I sit in , thumbing through the worn pages of those years, “The Bluest Blues” creeps back like a late-night shadow, a sound that carries the weight of every tear we shed in the quiet of our own rooms, a memory of when music could still pierce the soul with a single, mournful note. The story behind “The Bluest Blues” is as raw as the song itself. Alvin Lee, the Nottingham-born guitar slinger who’d dazzled Woodstock with “I’m Going Home,” was in his late 40s by ’94,
Alvin Lee (born Graham Barnes, 19 December , Nottingham, England) is an English rock guitarist and singer. He began playing guitar at the age of thirteen, and with Leo Lyons formed the core of the band Ten Years After in Originally influenced by his parent’s collection of jazz and blues records, it was the advent of rock and roll that truly sparked his interest and creativity, and guitarists like Chuck Berry and Scotty Moore provided his inspiration. The Jaybirds, as Lee’s early band was called from , were popular locally, and had success at Star-Club in Hamburg, Germany (since that time lead guitarist Lee also took lead vocals), following The Beatles there the same year. But it was not until the band moved to London in and changed its name, first to Jaybird, Read on Current Rank: Popularity on the Web Web YouTube Spotify Most votes come from United States, France, Germany, Netherlands, Canada, Poland, Reserved, United Kingdom, Sweden, and Croatia. Discover ▸ Popular in Other (See Charts): Losing My Religion, Snow ((Hey Oh)), U Can'T Touch This, Fly Me To The Moon (In Oth
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